В дополнение к приведенной цитате вот здесь
http://forum.znyata.com/viewtopic.php?p=26432#26432
такая вот закладочка на память, в том числе и для желающих посмотреть, что такое контактный отпечаток 18 x 24 см. Что интересно, некоторые особенности контактного отпечатка видны, похоже, даже в экранном варианте…
Paris um 1900 — Retrospektive
Eugène Atget
Fotomuseum Winterthur
CH. Winterthur, 01 Mar-25 May 2008
Eugène Atget
Coiffeur avenue de l'Observatoire, 1926 (Hairdresser Avenue de l'Observatoire)
Series: Paris pittoresque, 3. Serie
Albumin print, 24 x 18 cm
The Museum of Modern Art, New York. Abbott-Levy Collection.
• Digital image © 2008 The Muse
Eugène Atget
Cours, 7 rue de Valence, juin 1922 (Courtyard, 7 Rue de Valence, June 1922)
Series: Art dans le vieux Paris
Albumin print, 18 x 24 cm
© Musée Carnavalet - Histoire de Paris, France
Текст:
http://photography-now.com/popup_ausst_ ... gen=T57951
Eugène Atget (1857-1927) is one of the greatest photographers of the 20th century. He became famous primarily through his views of the "old Paris", which were coveted by collectors even during his lifetime, and which served numerous painters as sample prints for their work. For a long time known only to a small circle of historians, artists and museum curators, Atget worked tirelessly at capturing with his camera the part of old Paris that was in the process of disappearing: monuments, picturesque corners of the city and hidden courtyards, as well as window displays, shop signs and door knockers, street traders, prostitutes and fairground stalls - and, last but not least, the romantic landscapes of the Parc de Saint-Cloud in the environs of Paris. It was only shortly before his death that his unique status was recognised, and from the 1930s on he became a model and inexhaustible inspiration for photographers as different as Berenice Abbott, Walker Evans, Lee Friedlander, Robert Doisneau, Bernd and Hilla Becher. Thus he had an enduring influence on 20th century photography. Atget, who was often referred to by the naïve painter Henri Rousseau as the "Rousseau of photography" owing to his affinity with the latter's work, soon made his mark on Robert Desnos, Walter Benjamin and the surrealists.
This exhibition, compiled from work from the Bibliothèque nationale de France with the curators Sylvie Aubenas / Guillaume Le Gall on the occasion of the anniversary of Atget's 150th birthday and the 80th anniversary of his death, presents an extensive synthesis of his work and lets the old Paris glide before us in wondrous pictures. The exhibition consists of around 350 works.
An exhibition by the Bibliothèque nationale de France — Galerie de photographie, with the support of Champagne Louis Roederer
http://forum.znyata.com/viewtopic.php?p=26432#26432
такая вот закладочка на память, в том числе и для желающих посмотреть, что такое контактный отпечаток 18 x 24 см. Что интересно, некоторые особенности контактного отпечатка видны, похоже, даже в экранном варианте…
Paris um 1900 — Retrospektive
Eugène Atget
Fotomuseum Winterthur
CH. Winterthur, 01 Mar-25 May 2008
Eugène Atget
Coiffeur avenue de l'Observatoire, 1926 (Hairdresser Avenue de l'Observatoire)
Series: Paris pittoresque, 3. Serie
Albumin print, 24 x 18 cm
The Museum of Modern Art, New York. Abbott-Levy Collection.
• Digital image © 2008 The Muse
Eugène Atget
Cours, 7 rue de Valence, juin 1922 (Courtyard, 7 Rue de Valence, June 1922)
Series: Art dans le vieux Paris
Albumin print, 18 x 24 cm
© Musée Carnavalet - Histoire de Paris, France
Текст:
http://photography-now.com/popup_ausst_ ... gen=T57951
Eugène Atget (1857-1927) is one of the greatest photographers of the 20th century. He became famous primarily through his views of the "old Paris", which were coveted by collectors even during his lifetime, and which served numerous painters as sample prints for their work. For a long time known only to a small circle of historians, artists and museum curators, Atget worked tirelessly at capturing with his camera the part of old Paris that was in the process of disappearing: monuments, picturesque corners of the city and hidden courtyards, as well as window displays, shop signs and door knockers, street traders, prostitutes and fairground stalls - and, last but not least, the romantic landscapes of the Parc de Saint-Cloud in the environs of Paris. It was only shortly before his death that his unique status was recognised, and from the 1930s on he became a model and inexhaustible inspiration for photographers as different as Berenice Abbott, Walker Evans, Lee Friedlander, Robert Doisneau, Bernd and Hilla Becher. Thus he had an enduring influence on 20th century photography. Atget, who was often referred to by the naïve painter Henri Rousseau as the "Rousseau of photography" owing to his affinity with the latter's work, soon made his mark on Robert Desnos, Walter Benjamin and the surrealists.
This exhibition, compiled from work from the Bibliothèque nationale de France with the curators Sylvie Aubenas / Guillaume Le Gall on the occasion of the anniversary of Atget's 150th birthday and the 80th anniversary of his death, presents an extensive synthesis of his work and lets the old Paris glide before us in wondrous pictures. The exhibition consists of around 350 works.
An exhibition by the Bibliothèque nationale de France — Galerie de photographie, with the support of Champagne Louis Roederer
