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Валерий Лобко [ 01 сен, 08 16:57 ] | |
MAGNUM'S first Flo Peters Gallery D. Hamburg, 03 Sep-24 Oct 2008 © Werner Bischof/Magnum Photos. Cambodia, 1952 Henri Cartier-Bresson, Marc Riboud, Jean Marquis, Werner Bischof, Robert Capa, Inge Morath, Ernst Haas, Erich Lessing Magnum Photos and the Flo Peters Gallery present the sensational rediscovery of the first Magnum Group exhibition of 1955. Research shows that the exhibition "Face of Time" was first shown in June/July 1955 in the French Cultural Institute in Innsbruck. Their existence forgotten, the 83 Magnum Vintage Prints lay hidden in two wooden boxes in the basement of the French Cultural Institute for more than 50 years. Only in 2006 was this treasure rediscovered and returned to Magnum Photos. This unique historical discovery revises the belief that the Magnum exhibition curated by Fritz Gruber for the Colonial photokina in the autumn of 1956 was the first. This rediscovered original exhibition of 83 images from 8 photographers of the first Magnum-generation is now presented exclusively at the Flo Peters Gallery. Included are Henri Cartier-Bresson's reportage on his encounter with Mahatma Gandhi shortly before his death, Marc Riboud's picture series from the Balkans and Jean Marquis' images from Hungary. Works by Werner Bischof and Robert Capa are also shown. Ernst Haas is presented with a series that emerged during the shooting of the Hollywood film "Country of the Pharaoes" under the direction of Howard Hawks while the London district of Mayfair is the subject of the works of Inge Morath. Erich Lessing's pictures show the children of Vienna. The catalogue "MAGNUM'S first" by Hantje Cantz, edited by Peter Coeln, Prof. Achim Heine and Andréa Holzherr with an introduction by Dr. Christoph Schaden, art historian, publisher and member of the executive committee of the German Society for Photography, shows a complete documentation of this historical exhibition. http://photography-now.com/popup_ausst_ ... gen=T62251 |
Валерий Лобко [ 02 сен, 08 8:02 ] | |
Андранік Антанян » Blog Archive » Зянон Пазьняк пра савецкую сярэднефарматную фотатэхніку: Піша талкова і цікава. 20 гадоў прайшло, а артыкул актуальны. Як ні сьмешна. Зянонаву прапанову па мадыфікацыі фатаапарата Любитель-2 (замяніць дзіўнаваты аб’ектыў пабудаваны па пацешнай схеме triplet на зразумелы шырокаму колу фотааматараў рэзкі tessar) рэалізаў найстарэйшы кітайскі вытворца фотаапаратуры Shanghai Seagull Camera Co.,ltd. ў камерах Seagull 4-a (а таксама b і прочых мадыфікацыяў). Новыя апараты каштуюць даступна (можна накалдаваць сабе за 150 даляраў машынку) і іх ўладальнікі звычайна задаволеныя. Можа і я сабе такую куплю, калі не знайду за адэкватныя грошы яшыкі ці маміі. Каб у якім 1988-ым годзе яму на дзень нараджэньня заместа тарта з выявай Пагоні падаравалі фатаапарат rolleiflex ці якую fujica, гісторыя беларусі пайшла б зусім іншай дарогай… * "Недальновидность?..", С точки зрения читателя, З. Позняк, журнал "Советское фото", №8, 1987 год / "Short-sightedness?..", Z. Poznyak, article from magazine "Sovetskoe foto", №8 1987. |
Валерий Лобко [ 02 сен, 08 14:25 ] | |
The Pinhole Format Co How-To-Make Three 8x10 Pinhole Cameras: Wide-angle, Normal, Telephoto http://www.pinholeformat.com/guide.html Галереи: Jesseca Ferguson Peter Donahoe Peter Zirnis Diana Hooper Bloomfield Marcia C. Sheer James C. Romeo http://www.pinholeformat.com/gallery.html Ссылки: http://www.pinholeformat.com/links.html Henrieke I. Strecker Remaining at a place, emerging from the usual allday mad rush, which has no chance, no hope of arrival, permits a perception to come up, what actually happened will appear again. Tales will step out of this rush, gestures threatened to be drowned by this quickness, almost covered by it. I want to give an account of these small movements, atmospheres, not an isolated moment, "painting a realistic picture", according to a report, but the experience of the situation, in which the taking was undergone. Especially in the series of portraits you can observe what is going on, when people are forced to wait, which traces are left behind in this period of time. While our forefathers - more than a hundred years ago - sat stiffly, appearing therefore pregnant with meaning, in front of the camera, hemmed in dreadful machineries in order to avoid any move during these long exposures, I take advantage of this factum to track down these slight gestures, to paint the happenings behind the obvious poses - something we hardly become aware of. My desire is, that the observer gets in touch with the images, that he tries to follow their history - and by chance a new, very personal arises, realising, how these gestures show through; and I want to avoid, that the tale is no longer available, because it is buried by filing in drawers and categorizing. Just have - and trust - your own look, and immerse in this dialogue. http://pinhole-photography.de/about/index.htm http://pinhole-photography.de/animation ... raphyI.htm http://pinhole-photography.de/animation ... aphyII.htm Отдельная галерея: http://www.zoneplate.de/ Cyanotypes http://www.alternativephotography.com/a ... ecker.html * http://www.pinhole.com/index.php?city=& ... ate=&type= http://www.pinholestore.de/ |
Валерий Лобко [ 02 сен, 08 14:28 ] | |
Попутно, ссылки с давнего форума неподалеку: Diana Hooper Bloomfield http://www.pinholeformat.com/dhbgal1.html Стеноп, произвольная выборка с Гугла: http://www.pinholeformat.com/gallery.html Jesseca Ferguson http://www.pinholeformat.com/Jessecagal1.html Pinhole Resource Website Gallery http://www.pinholeresource.com/gallery.html Arts > Photography > Techniques and Styles > Pinhole http://directory.google.com/Top/Arts/Ph ... s/Pinhole/ Pinhole Photography — History, Images, Cameras, Formulas http://www.photo.net/learn/pinhole/pinhole Pinhole Photographs by Steve Foote - Home Page http://www.stevefoote.net/pinholes/ Pinhole Photography By Justin Quinnell http://www.pinholephotography.org/ The Art of Pinhole Photography http://www.pinhole.com/ |
Валерий Лобко [ 02 сен, 08 14:49 ] | |
Был уже разговор: Jesseca Ferguson Bird/book/Paris (constructed), 2003 Pinhole Ziatype print, 9" x 6" Eclipses (constructed), 2002 Pinhole Salt print (gold-toned) Two horses/book, 2002 Pinhole Argyrotype print 5" x 4 http://www.pinholeformat.com/jessecabio2.html http://www.pinholeformat.com/Jessecagal1.html |
Валерий Лобко [ 02 сен, 08 14:52 ] | |
Попутно: slowlight — a pinhole blog: http://www.slowlight.net/blog/, недавние заметки: Nick Shuval-Sergeev I’ve known Nick Shuval-Sergeev’s work for a while, but he has a new site with some amazing new work. If Sudek had used a pinhole camera, perhaps he would have made photographs like Nick’s still lives, though Nick’s works are entirely his own, and hold so much domestic magic and memory in their simple compositions. And his portrait of Ann (above) is just gorgeous. (His older still life work is lovely, but the new images seem to be a whole new world. Whatever you do, do not miss his zone plate films. http://nick.pinhole.ru/nickshs.html http://nick.pinhole.ru/main/video/video.html New York Camera Obscura - Charles Schwartz & Bill Westheimer Bill Westheimer The Manual Project, a series of 150 pictures of hands, made in pairs, with one hand as a photogram, and the other photographed using wet plate collodion, is an astonishing piece of work. There’s an animated selection of the images on youtube, but I enjoyed looking through them slowly, pair by pair. http://www.billwest.com/manual/ I collaborate with my subjects to expose their hands and their personalities. Using 19th century collodion wet plate photography I photograph their dominant hand, then we work together to make a photogram of their palm print. Combining these two images together with the person’s handwriting, I create one portrait of the subject. Both techniques have technical aspects which reveal more than conventional photography. The collodion plate is sensitive only to blue light, creating tonalities completely changed from how our eyes perceive light. The photograms reveal the texture and pressure of the hand on the paper, so the print is truly hand-made. Greg Maka Digital Pigment Print Medium: from Collodion Glass Plate and Silver Gelatin Photogram Size: 5.25" x 4.5" and 14" x 11" Date: 2004 http://www.billwest.com/manual/manual.cfm http://www.billwest.com/co/ http://www.billwest.com/gallery/ |
Валерий Лобко [ 03 сен, 08 18:15 ] | |
JOHN DUGDALE (Stone Ridge, NY) http://www.johndugdale.net/books.html http://www.johndugdale.net/johnbio.html Видео: JOHN DUGDALE, a photographer known for his ethereal portraits, nudes and still lifes, has been HIV-positive for more than 15 years. Despite losing his sight to the disease, he continues to use a large-format camera to create new work each year, most often in the form of cyanotype prints. Dugdale's photographs, widely exhibited and collected, appear in four books: Lengthening Shadows Before Nightfall, The Clandestine Mind, Life's Evening Hour and New Suns Will Arise. PRODUCER: Dirck Halstead INTERVIEWER: David Friend Dugdale in the Studio Watch the RealVideo of John Dugdale as he photographs his sister, and model, Kathy. Video by Dirck Halstead Edited by David Snider * John Dugdale, XXXXXX In 1993, having achieved a successful commercial career, John suffered an AIDS related stroke. After months in a hospital often near death, he recovered---but CMV retinitis took all of his sight, except for 20% of peripheral vision of his left eye. Total blindness continues to threaten him. Bewildered by his sudden sight loss, Dugdale soon realized he could change his method of working, and became a great visually impaired photographer. Using an antique large 8x10 format camera, whose negatives can be contact-printed onto hand-coated photosensitive paper, to make a finished image, John was able to avoid the impossible darkroom process and its toxic chemicals. Dugdale sketches and titles each image before it is made. He composes by sensing shapes, and his assistant focuses the camera. In reference to his early work before his blindness, Dugdale states "My style hasn't changed; It's the same subject matter, but shown with a clarity I didn't have then. My photographic vision is clearer now than when I could see." Over the past ten years, working in a state of near blindness, he has created photographs as if from his soul. His photographs are in the collection of Metropolitan Museum of Art and he has had more than twenty solo exhibitions. * Water from a stream, light from the sun, metals and minerals from the earth created the first magical photographic images on hand made paper. Sir John Herschel, Henry Fox Talbot, and thirty years later Julia Margaret Cameron blazed forward into the uncharted territory of capturing real and imagined tableaux from their surroundings. Friends, family, and personal belongings were recorded with great joy, myths were illustrated, nature was tamed, the passage of a day is still a palpable reality in these brilliant first photographs. These free spirits are my heroes and the inspiration for my own work. One hundred and thirty years since the dawn of the photographic medium, I found myself with my most precious gift of sight greatly diminished. Without hesitation, I instinctively approached my camera. The essence of my sight was restored. I felt no loss, only joy and profound gratitude that I was still moved deep within my heart to make pictures with my other sight. My photographic heroes from early on spoke to me. Slow shutter speeds revealed the nature of life. The slight movement of a hand, a quivering daffodil in the March wind, the beating of a heart –all let me know that I was still alive. A secret glowed in my heart and mind. A surprise...all along my photographs had come from deep inside me. My eyes were secondary. Overwhelmed with my newfound discovery, I began to create a new body of work with the help of family and friends. A decade later I now face the prospect of losing the fraction of sight I have left. Like Orpheus I am ready to descend into the darkness unafraid. I know that darkness is not dark, but instead full of a galaxy of stars and the aurora borealis swirling inside of me. Tin, copper, silver, iron, gold, oil of lavender, and the brilliant shining sun are waiting to be combined into the next group of images that I will share with you. Opening my life to the world has kept me alive. The deeper truth is that I have not even begun to draw from the stream of imagery waiting within me to be revealed. http://www.cpw.org/exhibitions/2008/tri ... es/02.html John Dugdale: http://www.artnet.com/artist/25952/john-dugdale.html John Dugdale, Empire Chair in the Gloaming, Stone Ridge, NY, 1994 Robert Klein Gallery Галерея Edelman: http://www.edelmangallery.com/dugdale.htm Heroes of Photography: John Dugdale A Vision Clarified by the Photographic Pursuit of Beauty. By Russell Hart May/June 2007 Holden Luntz Gallery: http://www.holdenluntz.com/artist/dugdale/dugdale.htm Paul Cava Fine Art/ John Dugdale: http://www.paulcava.com/DUGDALE/paulcavafinearta.html Lazarus, Brother of Mary and Martha, Morton Street, NYC, 1999, cyanotype, 3/12, 14 x 11 inches P.O.R. ANGELICATAS [Dark Light photo] Inspiration: John Dugdale, ссылки и иллюстрации: http://darklightphoto.blogspot.com/2007 ... gdale.html * http://www.popphoto.com/americanphotofe ... gdale.html Writer / Robert A. Schaefer Jr. Photography / John Dugdale and Flo Fox Challenged Visions Robert A. Schaefer Jr. discovers how John Dugdale and Flo Fox don't let their physical challenges stand in the way of photography. http://www.alternativephotography.com/a ... rt002.html John Dugdale's story is one of remarkable courage and hope Interview, March, 1998 by David Furnish http://findarticles.com/p/articles/mi_m ... i_20468516 |
Валерий Лобко [ 03 сен, 08 18:42 ] | |
http://www.johndugdale.net/apstory2.html |
Валерий Лобко [ 03 сен, 08 22:22 ] | |
Naylor Collection Will Be Up For Auction Thurman “Jack” Naylor’s chance meeting with photographer Margaret Bourke-White ignited in him a1_3 passion for photography that led to what many consider to be the finest privately owned photography collection. And this month, 2000 of its finest pieces will be auctioned at Guernsey’s auction house in New York City. Following a few days of public previews, the unreserved auction will happen October 18-21 at the Americas Society landmark mansion (68th street and Park Ave). Bidding can be done remotely, and Guernsey’s will have catalogues of The Collection and the Auction available for reserve. The remainder of the collection not sold at auction will be sold online about six months after the event. The collection includes such wonders as Kodak’s earliest efforts and the Deardorff used by Playboy for 30 years. Vintage prints include ones signed by Bourke-White, the unforgettable WWII shot of kissing in Times Square, Marines raising the flag on Iwo Jima, and portraits of Marilyn Monroe and Winston Churchill. http://flash.popphoto.com/blog/2007/10/ ... .html#more The Naylor Collection... A Complete History of Photography !!! http://www.guernseys.com/auctions/naylor/Naylor.pdf http://www.guernseys.com/auctions/naylo ... endum2.pdf |
Валерий Лобко [ 04 сен, 08 14:30 ] | |
clay harmon Nox Noctis # 15 Gum Platinum print View Full Portfolio (7 images) http://photo.net/photodb/member-photos?user_id=506431 (2008 archive at RayKo Photo, “Landscape, other” Views outside convention) http://raykophoto.com/?page_id=79 Clay Harmon Virtually everything currently shown on this site is printed either using platinum-palladium or gum-platinum… nox noctis http://www.clayharmon.net/Flash%20Portf ... x/Nox.html gnomon http://www.clayharmon.net/Flash%20Portf ... nomon.html telos http://www.clayharmon.net/Flash%20Portf ... eleos.html fragminis http://www.clayharmon.net/Flash%20Portf ... minis.html DeSantos Gallery | Clay Harmon Urban Landscapes, Houston and Dallas,TX Houston, TX -- Houston photographer Clay Harmon shares his fascination with the way in which the photographic frame, the lens and the process combine to see the world in his De Santos Gallery (1724-B Richmond) exhibition "Strangely Familiar - the magic of light, lens and process" Thursday, September 1 - Saturday, Oct. 1. An opening reception with a brief discussion with Harmon will be held Thursday, Sep. 1 from 6:30 - 8:30 p.m. The alchemy that occurs at the momentary intersection of light, lens and location is heightened by this photography artist during the printing process revealing a mysterious transformation of otherwise ordinary and banal places. "My thought on this exhibition is to show the differences and similarities between these various modes of using the camera, and how they are all more similar to each other than they are to our perception," Harmon said. The images in this show are all printed using hand coated platinum-palladium or platinum-palladium-gum printing techniques. "The printing processes are difficult to master, time-consuming and sometimes fraught with failure," Harmon added. "However, they allow me to make the images the way I like them to look." The images were made with cameras of all sorts - ultra-large format view cameras, fifteen dollar plastic-lensed cameras and traditional 35mm cameras. The De Santos Gallery is owned and directed by Gemma and Luis De Santos who are natives of Spain and long-time residents of Houston. They commissioned Houston architect Fernando Bravo who recently won the 2005 American Institute of Architects Design Award for the building design. The DeSantos Gallery specializes in photography (including traditional and new media) from contemporary European and Asian photographers. The De Santos Gallery is located at 1724-A Richmond Avenue in Houston's Museum District. Gallery hours are Wednesday through Saturday from 10:30 a.m. - 5 p.m. For more information, please call 713-520-1200 or visit www.desantosgallery.com http://www.desantosgallery.com/artists/ ... harmon.htm * Writer / Clay Harmon Illustrations / Clay Harmon Digital Negatives: The Color Ratio Method http://www.alternativephotography.com/a ... rt056.html |
Arina Kita [ 06 сен, 08 21:21 ] | |
хочу себе такую ферротипную фотографию... в какой стр**е мы живем, в мире такоое делают |
Arina Kita [ 06 сен, 08 21:31 ] | |
about Naylor Collection | |
во времена наших родителей и прародителей тяжело наверное пришлось мерилин монро... не было такой скоростной техники, и станиславского не было затекали все женские прелести пока вылетит птичка.. |
Валерий Лобко [ 12 сен, 08 19:50 ] | |
Sanne Sannes HUP gallery NL. Amsterdam, 23 Sep-21 Nov 2008 Sanne Sannes (1937-1967) Sanne Sannes — Past Auction Results Sanne Sannes Selected images, 1960-1969 Sold: Nov 11, 2002 http://www.artnet.com/Artists/LotDetail ... 5D1F3BCE99 Sanne Sannes is one of the enigmas of 20th. century Dutch photography. During his short life very few people ever really got to know him and the few people who were close to him remain very reservered when discussing him and his work, wary of 'would-be-psychology' or 'psychological guesswork'. …The strange thing about Sannes's erotic work is that it is essentially prudish; for him pubic hair marked a scarcely passable boundary. Price Realized * £1,080 * ($2,031) Estimate * £300 - £500 ($564 - $941) http://www.christies.com/LotFinder/lot_ ... ID=4712279 champagne socialite: The Face of Love by Sanne Sannes ( + ролик) Sannes described his approach like this: "There are many men who'll never see a woman in ecstasy. They change from one thing to something else completely different. Human emotions are my subject matter. I photograph people. They're what interest me, obsess me. I want to know what pushes them to do what they do. I don't look for them in the street; I don't do random photography. I direct them and record the moment they open up and become naked. I chose the most emotionally charged moments, the point of no return. I'm fanatically zealous!" Photographer Anna Beeke posed for Sannes and describes him as a "voyeur and provocateur, adding that he was like a boy who'd got old too soon and was never free of the obsessions that preoccupied him" Indeed, for many older men, there's a fine line between being sensual and becoming a pervert. Photographers, I believe, most often make this transgression. (And, may I add, it's not just with women.) If those quotes don't make you want to read the book, you might want to get your hormone levels checked. Sannes' innovative techniques make for some really amazing images. http://champagne-socialite.blogspot.com ... annes.html Sanne Sannes Photography http://www.youtube.com/watch?v=60R2erZv ... re=related См. также: Dutch Books of Nudes Alessandro Bertolotti Sanne Sannes… Photography: "When Sex a Gogo was published in 1969, Sanne Sannes had recently been killed in a car accident, at the age of 30. He had recently been responsible for a notable work in the Dutch beeldroman (photonovel) tradition, Oog om Oog (Eye for Eye). Sex a Gogo was much more light hearted, a Pop art sexual manual, complete with psychedelic collaging and cartoon speech balloons, much influenced by the many 'underground' magazines that were such a feature of 1960s culture. The book's montages were devised by its designer Walter Steevensz, who took over the project when Sannes died, and it is his vision as much as the photographer's that is evidenced in this typically 1960s comedy of sexual mores. Yet however comical, Sex a Gogo never allows us to forget about its erotic intentions."--Parr & Badger, The Photobook, A History, Vol. I http://bintphotobooks.blogspot.com/2008 ... andro.html |
Валерий Лобко [ 13 сен, 08 13:35 ] | |
Photography Tour to Japan #3 Camera of choice and format of choice One question that photographers often entertain when they travel is which camera to bring with them. Of course, when an airplane is involved, you cannot bring everything so choosing which cameras to pack becomes a serious as well as an entertaining question for photographers. For this trip, I am bringing two cameras with me: a 7×17 banquet camera and a 4×5 field camera. It may sound a little crazy to carry these large cameras for a shooting trip where we will be relying upon public transportation for travel. Of course that doesn’t deter me. This old banquet camera has been my camera of choice for the last couple of years. Still, this will be my first trip with the big cameras traveling this extensively and without a car. I’m sure it will prove to be an interesting challenge at times, but I hope I can enjoy the whole experience. When I started using the 7×17 camera, I connected to the work of Lois Conner. Conner created beautiful images of Chinese landscapes with a sense of place and a dynamic composition. She uses the elongated format so adeptly and I became intrigued by her description of how she works. For her, the difference between regular format and these panoramic format cameras is about more than seeing. She describes that when she composes in say, an 8×10 format, that it is done such that it visually radiates from the center. In other words, an image has a main feature in a photograph which acts as a visual locus, and the rest develops around that. Whereas with an elongated format like 7×17, it becomes more effective to create images with a sweeping narrative as if you are reading a photograph, usually left to right. Certainly she has been influenced by her own studies of Chinese scroll paintings and learning about how painters traditionally frame images whether horizontal or vertical… http://japanphototour.projectbasho.org/ ... of-choice/ |
Валерий Лобко [ 20 сен, 08 10:49 ] | |
Das fotografische Werk (1897-1928) Ferdinand Schmutzer AnzenbergerGallery A. Wien, 25 Sep-31 Jan 2009 Ferdinand Schmutzer, Holland 2 silver gelatin print, 24 x 30 cm Ferdinand Schmutzer, Monastery Assisi in Italy silver gelatin print, 24 x 30 cm Другие снимки (Эйнштейн), текст: Besides his extensive collection of prints, Ferdinand Schmutzer left an imposing photographic oeuvre comprising more than 3,000 glass plate negatives and 330 vintage prints. First presented to the public in 2001, his photographic works is now the subject of a critical edition, where it is placed in its context in the history of photography. Ferdinand Schmutzer's visual language is the result of a variety of motivations: his portrait photographs often served as studies and masters for his representative etched portraits of famous people, including Albert Einstein, Sigmund Freud, Pablo Casals, and Arthur Schnitzler. …The fact that Schmutzer was Vienna's leading producer of etched portraits and the criticism some artists faced for using photography contributed to this part of his oeuvre's remaining unknown until many years after his death… http://photography-now.com/popup_ausst_ ... gen=T61756 Anzenberger Gallery : Ferdinand Schmutze Галереи: Personalities Viennese Society Holland Travel http://www.anzenbergergallery.com/en/article/3.html |
Валерий Лобко [ 23 сен, 08 19:10 ] | |
Contemporary Works | Charlie Schreiner Carnival Mask 2005/2005 Daguerreotype (3/4 plate) in glass mount 7 x 5 in. (178 x 127 mm) Title, name, date on verso. Mat hides some of daguerreotype. Price: $4,000 http://www.contemporaryworks.net/artist ... php/1/3701 |
Putrach [ 25 сен, 08 12:18 ] | |
Third Eye Camera Designed to study the beauty of decay. 4”x5” camera made from Aluminium, Titanium, Brass, Silver, Gem Stones and a 150 year old skull of a 13 year old girl. Light and time enters at the third eye, exposing the film in the middle of the skull. |
Alex Skill [ 25 сен, 08 12:47 ] | |
Putrach, шок — это по-нашему! Плёночная камера из 150-ти летнего черепа 13-ти летней довочки, это же какой степени воспаление любви к мистической стороне фотографии должно быть у изобретателя, чтобы до такого додуматься??? |
Arina Kita [ 25 сен, 08 19:12 ] | |
жесть.... вот это дизайнеры! |
SergL [ 05 окт, 08 15:45 ] | |
Классическая чб фотография | |
Мадрид, сентябрь 2008 г. |