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| Валерий Лобко [ 30 апр, 08 22:48 ] | |
CATHERINE EDELMAN GALLERY, CHICAGO 
Peeping Tom (2003) Rocky Schenck 
Nine Trees (1998) Rocky Schenck http://www.edelmangallery.com/schenck.htm Довольно отличающаяся по составу подборка: Jackson Fine Art: Rocky Schenck 
NUDE WITH CRUTCHES, 1988 
Rocky Schenck POWWOW, San Francisco, 2003 20 x 24 inch Silver Print With Mixed Media, Edition of 10 Большая подборка — в связи с выставокй 2003-го в Paul Kopeikin Gallery: 
http://www.paulkopeikingallery.com/arti ... /index.htm |
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| Валерий Лобко [ 30 апр, 08 22:48 ] | |
* Портфолио коммерческих работ: http://www.rockyschenck.com/pg2.html 
2001 ROCKY SCHENCK Обращает на себя внимание использование очень жесткого освещения, практически постоянный прием: 
2001 ROCKY SCHENCK Биография: http://www.rockyschenck.com/about_the_artist.html |
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| Валерий Лобко [ 01 май, 08 14:03 ] | |
Timothy Greenfield-Sanders http://en.wikipedia.org/wiki/Timothy_Greenfield-Sanders In 2004, seven hundred of his art world portraits were accepted into the permanent collections of The Museum of Modern Art and the Museum of Fine Arts, Houston. http://www.greenfield-sanders.com/bio В серии портретов раздела Art имеются и вот такие:  
Да, еще Jeff Koons и другие… См. http://www.greenfield-sanders.com/portraits/art : 
Yayoi Kusama В 2008-м — три выставки: "The Black List" Museum of Fine Arts, Houston, 8/04/2008-10/26/2008 "Injured Soldiers" MA2 Gallery, Tokyo, Japan, 4/1/2008-4/30/2008 "Injured Soldiers" Örnsköldsvik Museum, Örnsköldsvik, Sweden 1/1/2008-2/28/2008 Да, были еще выставки в связи с книгой XXX: 30 Porn-Star Portraits Published by Bulfinch in 2004 Introduction by Gore Vidal http://www.greenfield-sanders.com/conte ... -portraits Фильм Thinking XXX: http://en.wikipedia.org/wiki/Thinking_XXX |
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| Валерий Лобко [ 04 май, 08 10:02 ] | |
Новая публикация на lens culture: Surfers: modern/primitives Мокроколлодионный процесс в действии: Using a century-old photo technique, photographer Joni Sternbach creates portraits of modern-day surfers. 
См. галерею и текст здесь: 
http://www.lensculture.com/sternbach.html |
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| Валерий Лобко [ 04 май, 08 10:21 ] | |
Quinn Jacobson 
Kerby Quarter Plate Ambrotype April 27, 2005 http://www.collodion.com/ Scully & Osterman collodion.org Exhibits - 2008 - 
Exhibition in HCPs (The Houston Center for Photography) main gallery will include work from France Scully Ostermans series Sleep and Bed, and Mark Ostermans series Free Show Tonight and Artifacts of the Process. 
Mark Osterman, The Pitch Ambrotype print, from the series Free Show Tonight http://www.hcponline.org/exhibitions.asp?gx=current&gy=&exid=24 collodion tutorials: http://www.collodion.org/Tutorials.html wet-plate collodion photography: http://www.collodion.org/q&a.html Ken Merfeld, Фотограф, The Wet Plate Collodion Process 
http://keyman.livejournal.com/7182.html Сайт автора, где много разделов и новые работы 2008-го: http://www.merfeldcollodion.com/index_col.html Видео (collodion) http://www.kotirovok.net/collodion/ См. также ранее: http://forum.znyata.com/viewtopic.php?p=19003 |
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| Валерий Лобко [ 05 май, 08 8:15 ] | |
deFocused: justBlurryPinhole Archives 
August 15, 2003, atlanticScapes http://defocused.net/archives/cat_justb ... nhole.html Вообще мешанина картинок в разных темах (включая deFocusedBody, unBody, gentlemen TakePolaroids…) Но есть хорошие. Ссылки: http://community.livejournal.com/pinhole/ Рекомендации разных авторов, известных, и не очень, еще большая мешанина: давайте все дружить… |
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| Валерий Лобко [ 06 май, 08 21:31 ] | |
На заметку: полезные советы при работе с моделью A History of Photography, by Robert Leggat: PORTRAITURE Как известно, проблема обеспечения неподвижности снимаемых при длинной выдержки при съемке решалась различным образом; классические подпорки — только один из способов решения этой проблемы. Leggat цитирует: Trying to keep a sitter still for this long process must sometimes have been quite a feat. The most extreme form of persuasion comes from an article in the American Journal of Photography, 1861, where we read of one operator who had tried all sorts of means of persuasion, "...when it occurred to him that the strongest of all human motives is fear. As soon as he had completed his adjustments, he suddenly draws a revolver, and levelling it at the sitter's head, he explains in a voice and with a look suggestive of lead and gunpowder: 'Dare to move a muscle and I'll blow your brains out....'" Another, advertising photography "without pain" proposed to use gas on his sitters, and once they were out for the count, he would take the picture. Yet another suggested "A good dose of laudanum (opium) will effectively prevent the sitters from being conscious of themselves, of the camera, or anything else. They become most delightfully tractable, and you can do anything with them under such circumstances....." http://www.rleggat.com/photohistory/his ... rtrait.htm |
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| Валерий Лобко [ 10 май, 08 17:29 ] | |
PHOTOS LIVRES APPAREILS de COLLECTION http://www.argentic.fr/ Раритеты: 
ProvenceNude,WillyRonis Shooting date : 1949 Printing date : 2001 Topic : Nudes Signature : Signed, dated, captioned and stamped. Classification : State : Mint Total size (in) : 11.8 x 15.7 Image size (in) : 9.8 x 12.2 Print Silver Print Price : 3500.00 € 
DistorsionN°40,AndréKertesz Shooting date : 1933 Printing date : 1980 est. Topic : Nudes Signature : Drystamp Classification : State : New Total size (in) : 11.8 x 9.4 Image size (in) : 11.0 x 8.7 Print Fiber based Paper Print Price : 1750.00 € http://www.argentic-photo.com/rare.html |
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| Валерий Лобко [ 10 май, 08 18:25 ] | |
Elliott Erwitt, Paris, 1952 HackelBury Fine Art Elliott Erwitt 'Unseen' 12 JUNE-31 JULY 2008 
Marilyn Monroe, NY 1956 
Jack Kerouac, 1953 
Simone de Beauvoire, 1949 * 
Bratsk, Siberia, 1967 Silver gelatin print, signed in ink on recto. 11 x 14 - $4,000 16 x 20 - $4,500 20 x 24 - $5,500 30 x 40 - $8,500 http://www.hackelbury.co.uk/artists/erw ... tt_sm.html |
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| Валерий Лобко [ 10 май, 08 22:08 ] | |
Йорг Кольберг: Color Carbon Printing Last night, I had the opportunity to meet Tod Gangler, the man behind Art & Soul studio. Tod produces color carbon prints, a incredibly complicated process that uses pigments, gelatine, and all other kinds of obscure materials - plus high-tech lasers to etch sets of negatives to be used (it's a contact printing process, and it uses three separate negatives for different colour layers). I have the feeling that most readers by now have looked at the samples that can be found online and are wondering what the big deal is. If you had been there last night, to see the photos, you would know. In my whole life, I have never seen photos of such stunning physical beauty. The tonal ranges in those prints I have never encountered anywhere else, and for the first time I saw photos that conveyed a very clear sense of a third dimension. In a sense, the photos looked as "un-digital" as possible - instead of having this kind of edgy crispness that digital photos usually have (even those that aren't completely overprocessed), the photos were amazingly smooth, with what looked like an infinite number of colours. It was quite unbelievable - as was talking to Tod and getting some idea of what actually goes into making those photos… http://www.jmcolberg.com/weblog/2008/05 ... nting.html 
Видео: http://shapeshifter.us/Video%202.html …I print my work in the rare color carbon print process. Color photography was invented with this process, in 1869, by the frenchman Louis Ducos du Hauron. Carbon printing has always been the most difficult but also the most beautiful of all photo printing processes. The carbon print is also the ancestor of several other elite print making processes, including Carbro and Dye Transfer. Like M. du Hauron, I mix pigments into homemade photo-sensitive emulsions. It takes days to expose, process and transfer these emulsions, to build a picture on Italian watercolor paper out of many layers of pigmented gelatin. Color carbon prints startle with their bravura visual syntax, describing rich colors, finest details, and subtly nuanced tone transitions in a way that no other print process can. http://www.benhamgallery.com/artists/gangler.html Art & Soul - Color Carbon Printing for Fine Art Photography История, процесс, галерея: http://www.colorcarbonprint.com/ http://en.wikipedia.org/wiki/Carbon_print Benham Gallery Nickolas Muray & Tod Gangler The beauty of color and the carbon print bring together artists Nickolas Muray & Tod Gangler. Nickolas Muray, 1892-1965, immigrated from Hungary to NYC in 1913 where he earned international recognition as a photographic portrait artist. His circle of friends in the Mexican art culture included Miguel Covarrubias, Rufino Tamayo, Diego Rivera and Frida Kahlo. Muray and Kahlo had a 10 year off-again, on-again love affair. Images in this exhibition were made out of love for Frida. Except for the photo with the red shawl which was made for public, all of the other images were kept private until the negatives were discovered after Muray's death. Frida Kahlo was one of the most photographed artists of the twentieth century. Nickolas Muray's portraits of her have a luminous, painterly quality, described by Diego Rivera as being 'as beautiful as a Piero de la Francesca'. Frida and Nick color portfolio Printed by Tod Gangler (Art & Soul Studio). 
Classic Frida 
Frida Kahlo: The Breton Portrait Portfolios Silver gelatin prints ( Printed by Bruce Proctor) Platinum prints ( Printed by Sal Lopes) http://www.worldsangha.net/frida/portfolios.html Цены: http://www.worldsangha.net/frida/prices ... prints.htm |
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| Валерий Лобко [ 18 май, 08 10:42 ] | |
Angels and Insects B.A. Bosaiya ссылка с http://community.livejournal.com/ruguru/ , долго колебался, забросить сюда в закладки, или все же нет… http://community.livejournal.com/ruguru/697246.html В портфолио — две только серии, переделанная камера, классический процесс (но есть и печать Giclee): B.A. Bosaiya is a fine art photographer currently residing outside of Seattle, Washington. Bosaiya has a passion for photographing the common and everyday in new unusual and unexpected ways, preferring traditional darkroom techniques and large format cameras. Bosaiya's Angels and Insects collection has been featured in galleries and magazines while the subUrban Decay series has received praise for shedding new light on old subjects. All of Bosaiya's large format work is photographed on a heavily modified camera using traditional darkroom techniques. http://www.bosaiya.com/ 
4x5 Polaroid negative, lith print, 16x20 framed print http://www.knockoutproductions.com/ange ... os.cfm?c=f Еще: Favourite style or digital art: Unmanipulated Tools of the Trade: Macro lenses, large cameras, extra long bellows, single-source lighting; bugs and spiders http://bosaiya.deviantart.com/ http://www.dangenart.com/artistsbosaiya.htm |
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| Doroga [ 20 май, 08 10:16 ] | |
Film is not dead it just smells funny |
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| Валерий Лобко [ 21 май, 08 22:44 ] | |
…в Минске были работы Богдана Конопки, дающие полное представление о том, что такое творческая работа форматной камерой. Для этого, правда, нужно уткнуться носом в раму или, что безмерно лучше, подержать работу в руках. Событием визит Конопки в наш город не стал… В Москве недавно: Bogdan Konopka lecture March 20, 2008 Moscow House of Photography and Rodchenko Moscow School of Photography and Media Arts within the framework of the Seventh International Photography Month in Moscow: Photobiennale 2008 invites you to Bogdan Konopka lecture (theme � Large-format camera and Direct printing). When: 20 March, beginning at 15:00. Where: Rodchenko Moscow School of Photography and Media Arts. Галерея работ: 
«О природе вещей» / «De natura rerum» Богдан Конопка / Bogdan Konopka Куратор: Ольга Свиблова Коллекция: Собрание автора, Париж http://www.photo-biennale.ru/exposition/551 March 21-April 23 Bogdan Konopka 'De Natura Rerum'Bogdan Konopka "De Natura Rerum" (Poland) The exhibition "De Natura Rerum" of a Polish photographer Bogdan Konopka includes two series, both questioning the intimate relation between man and nature. …By extending the exposure time while photographing fluid elements, Bogdan Konopka makes use of his camera the same way an alchemist would, when dealing with the transmutation of material. This allows him to highlight the illusion of the visual perception: what do we see? No artificial effect in the trees series: the photographer simply steps aside. Understanding that the metamorphosis occurs by itself, Konopka registers the tormented shapes of these mutant monsters and invites us to share Lucrece's say: "The eyes do not have the power to understand the nature of things: you should therefore not blame the sight for the mistakes of the mind". http://www.expat.ru/culturepics_ann.php?cid=813 
Bogdan Konopka : RIAU DE GROS MONT (Szwajcaria) 14 VII 1996, kopia stykowa z negatywu 20 x 25 cm 
Bogdan Konopka : ARBONNE LA FORET, 20 V 1997 kopia stykowa z negatywu 20 x 25 cm http://fototapeta.art.pl/fti-kpkmgp.html Париж, см. текст: http://www.galeriaff.infocentrum.com/konopka.html Szary Paryż Elżbieta Łubowicz Cykl małych, stykowych fotografii Paryża, który powstał w latach 1994-95, Bogdan Konopka początkowo zatytułował „Niewidzialne miasto”. W tej nazwie zawarty jest sens, który wskazuje nie tyle na „miasto, którego nie ma” (według słownikowego znaczenia wyrazu „niewidzialny” jako „niemożliwy do zobaczenia”), ile na „miasto niewidziane”, a więc miasto, którego zwykle się nie widzi. Wszyscy, którzy pisali o tych fotografiach, zwracali uwagę, że jest na nich Paryż zupełnie inny niż ten, który istnieje w potocznym o nim wyobrażeniu… 
Złudna przestrzeń Jeana-Michela Verreta http://www.fotografia.net.pl/art.php?lang=1&id=143 Еще здесь: http://www.images.ch/2000/index3.htm Подборка работ: 
Крупная иллюстрация: http://www.akademiakaf.pl/zdjecia/bogda ... 202005.jpg http://www.akademiakaf.pl/bogdan_konopka.html On the Seen and the Photographed in Bogdan Konopka's Works 
http://www.galeriaff.infocentrum.com/20 ... nop_a.html "Beijing Opera" w obiektywie Bogdana Konopki 
http://www.fotopolis.pl/index.php?g=258 * http://www.actuphoto.com/artiste_491 |
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| Валерий Лобко [ 22 май, 08 18:41 ] | |
Приятная работа какая: 
Portrait Marion Zemann 1964 Marion Zemann Fotogalerie Karin Schneider-Henn D. Wasserburg, 25 May-06 Jul 2008 Жалко, молодая совсем: http://photography-now.com/popup_ausst_ ... gen=T59570 |
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| Валерий Лобко [ 22 май, 08 18:52 ] | |
Много давних работ, включая массу давних ню и эротики: Galerie d'Art / art gallery Au Bonheur du Jour http://www.aubonheurdujour.net/ Thèmes et Auteurs ci-dessous 
Anonyme "Etude" vers 1920 Epreuve argentique Prix : 250€ (euros) http://www.aubonheurdujour.net/photogra ... efault.htm Каталоги: 
http://www.aubonheurdujour.net/les-cata ... efault.htm |
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| Валерий Лобко [ 22 май, 08 22:32 ] | |
Lo sguardo sulla bellezza / An eye for beauty Herbert List Spazio Metropol I. Milano, 08 May-08 Jun 2008 
Seminarists by the Sea, Naples, Italy 1959 © Herbert List / Magnum Photos / Contrasto This exhibition is a result of collaboration with Magnum Photos, Contrasto and the Herbert List Estate, and focuses on the Mediterranean and its people, reread and re-interpreted with a German sensitivity that exalts the symbolic worth of the objects and people shown. Herbert List was born in Hamburg in 1903 and died in Munich in 1975. He was a great photographer, an observant and curious traveller, a fine-art collector and a visionary poet who could construct pictures with perfect formal rigour and poignant beauty. He travelled across Europe with his camera, devised enigmatic still life, met and portrayed the intellectuals of his day and, most of all, captured a vibrant and fascinating image of the Mediterranean. His well balanced and powerful photographs of southern Europe - an Italy that should be explored and a dazzling Greece - have delighted generations of photographers and artists since the 1950s. A play of shadows, a reflection on the sea or a ray of sunshine in alleyways: in every picture List manages to frieze snatches of reality so perfect in the combination of light and form as to be unique, rare and precious. The balance of his pictures has a secret fragile side and perhaps, indeed, the fragility of beauty and art was the final objective of the research that guided his moves and his gaze throughout his lifetime. For the first time shown in Milan, this exhibition on List brings more than 120 of his famous masterpieces together in one place, including many original vintage photos. http://photography-now.com/popup_ausst_ ... gen=T61056 |
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| Валерий Лобко [ 23 май, 08 15:40 ] | |
Auction Photography Villa Grisebach Auktionen D. Berlin, 
Aenne Biermann. Without Title (Anthurie). Around 1927-1929. Vintage. Gelatin silver print. 18 3/8 x 14 7/8 in. special emphasis has been placed on rare and extraordinary Vintage German photographs from the 20th Century… Further highlights of classic photography are, among others, Martin Munkácsi’s „Leni Riefenstahl beim Skilaufen“ (Leni Riefenstahl skiing) from 1930-31 (10,000 – 15,000 euros), Paul Strand’s „St. Hippolyte“ from 1950 (10,000 – 15,000 euros), Horst P. Horst’s „American Nude“ (8,000 – 10,000 euros)… …Highlights from the Contemporary photography selection are Peter Lindbergh’s Portfolio from 2001 with 10 Platinum-Palladium-Prints of his most famous images (42,000 – 48,000 euros), followed by Hiroshi Sugimoto’s „Fagus Shoe Last Factory – Walter Gropius“ (14,000 – 16,000 euros), William Eggleston’s Dye Transfer „Dust Bells, Green Bureau“ (12,000 – 15,000 euros) and Tracey Moffatt’s „Something More #5“ (10,000 – 15,000 euros). Furthermore, outstanding photos are featured by Robert Mapplethorpe, Sarah Moon, Shirin Neshat, Helmut Newton, Bettina Rheims and Jörg Sasse. http://photography-now.com/popup_ausst_ ... gen=T59854 https://www.villa-grisebach.de/en/catalogues/ |
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| Валерий Лобко [ 23 май, 08 15:44 ] | |
The Making of a Classic Ruth Orkin Michael Hoppen Gallery GB. London, 01 Jun-15 Jul 2008 
American Girl In Italy, Florence, 1951 © Ruth Orkin / Ruth Orkin Photo Archive The Michael Hoppen Gallery are pleased to announce an exhibition of photographs by Ruth Orkin including American Girl in Italy, one of the most widely known photographs ever taken. Co-curated by Orkin's daughter, Mary Engel, the exhibition will feature rarely seen photographs from Orkin's travelogue encapsulating the tourist's experience in Italy alongside iconic images spanning Orkin's career. On August 22, 1951, on the Piazza della Repubblica in Florence, Ruth Orkin, a 29 year old aspiring photojournalist, took the photograph that made her famous. The image of a young woman walking through a thicket of men was considered risqué in its time but since then it has become one of the most famous pictures ever taken. The image is such a perfect and classical composition that some critics to question whether or not the scene was staged. Orkin never hid the fact that the shot was not entirely spontaneous, and spoke of having directed some minor elements of the scene. Whether "real" or not, the image remains an icon of street photography to this day. In Florence Orkin had met Ninalee "Jinx" Allen Craig, an art student and fellow American who became the model for a series Orkin originally titled Don't Be Afraid to Travel Alone, based on their joint experience as women travelling alone in Europe in the 1950s. Orkin photographed Craig shopping in the markets, crossing traffic, riding a carriage and flirting at a cafe. By chance the two came upon the now famous pack of men. Orkin turned around and photographed Craig behind her. "I clutched my shawl to me because that sheaths the body," says Craig. "It was my protection, my shield. I was walking through a sea of men." Craig today admits, "I was enjoying every minute of it. They were Italian and I love Italians." Orkin asked Craig to walk through again, and with that she captured the famous image. It took only two exposures. The photograph was first published in Cosmopolitan magazine in 1952 and it was later it was picked up by Kodak to encourage young photographers… http://photography-now.com/popup_ausst_ ... gen=T59902 |
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| Валерий Лобко [ 26 май, 08 15:50 ] | |
Conscientious: Cornell Capa, Founding Director of the International Center of Photography, died in New York City this morning (23 May 2008). "Capa was the younger brother of pioneering war photojournalist and Magnum founder Robert Capa, whose 1954 death shaped the younger Capa’s commitment to humanity-centered photography. [...] In 1966, Capa teamed up with [Werner] Bischof’s widow, Rosellina Bischof, and [David] Seymour’s sister, Eileen Schneiderman, to establish the International Fund for Concerned Photography. The Fund sought to keep alive the work of his brother, Bischof and Seymour by promoting what Capa called 'concerned photography' - work committed to contributing to or understanding humanity’s well-being. The fund sponsored its first traveling exhibit in 1967. Aptly titled 'The Concerned Photographer,' it featured the work of Bischof, Robert Capa, Seymour, Leonard Freed, Andre Kertesz, and Dan Weiner." |
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| Валерий Лобко [ 28 май, 08 21:13 ] | |
Charlie Rose — HENRI CARTIER-BRESSON Медленно грузится только что-то: 57 min — 06.07.2000 Charlie Rose Inc. — www.charlierose.com http://video.google.com/videoplay?docid ... 1455007235 |
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